Yet, on the second episode of his Beats1 radio show, that’s exactly what happened. After all that content, the last thing Ocean’s fans expected from the otherwise frustratingly elusive artist - this soon - was more Frank Ocean. This was followed last month by “Slide,” an infectious collaboration with Calvin Harris and the Migos. ![]() The visual album, Endless, quickly was followed by Blonde, which included a photography-based ‘zine called Boys Don’t Cry. Elegant and mellow, the song’s lyrics read as a deliberate ode to duality and non-heteronormative binaries - an ambition, that since the death of Prince Rogers Nelson, is sorely missed in black music.ĭuring the summer of 2016, Ocean released two projects. ![]() With anticipation surrounding More Life at a fever pitch, the timeline of recent rap events suggests that nothing else matters.Ī song that does deserve attention, though - something that feels entirely more important than “ more chune for your head top” - is Frank Ocean’s new “Chanel.” The boastful first few bars of Ocean’s new song might be the coldest, gayest, and most securely masculine flex in the history of rap. As predicted, the 6 God aka Drake came through and snatched everything last week.
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